The Fake Hostel Author: Hayli Sanders Genre: Contemporary Literary Fiction / Satire Length: 312 pages (hardcover) ā 96,000 words Publication Date: March 2024 (Penguin Random House) 1. Overview The Fake Hostel is Hayli Sandersā first fullālength novel, a sharply observed satire that uses a single, peculiar settingāa āhostelā that isnāt really a hostelāto explore themes of authenticity, performance, and the modern search for belonging. Written in a brisk, witty prose style, the book follows a rotating cast of characters who check in, check out, and, most importantly, check each otherās faƧades.
The novel has been praised for its inventive structure, its empathetic yet unflinching character portraits, and the way it turns the trope of the ātravelerās hostelā into a metaphor for the social mediaāsaturated world we inhabit. 2.1. The Setting: āThe Hostelā The story is anchored in a building on a quiet side street in a nameless European city. The faƧade looks like any other budget hostelādormitory rooms, communal kitchen, a battered reception deskābut the reality is far more elaborate: the āhostelā is actually a performance art project orchestrated by a reclusive avantāgarde collective called The Mirage Collective . Guests are told, upon arrival, that they are part of a social experiment where each floor represents a different āsocial realityā (e.g., the āNomad Floor,ā the āCorporate Floor,ā the āInfluencer Floorā). 2.2. Main Characters | Character | Floor | āRoleā in the Experiment | Core Conflict | |-----------|-------|------------------------|---------------| | Mara Whitaker | Nomad Floor | A freelance travel writer who has lost her sense of direction. | Struggles to write a truthful travel piece while surrounded by staged āauthenticā experiences. | | Jace Liu | Influencer Floor | A microāinfluencer with 12k followers, hired to āliveāstreamā his stay. | Begins to see the disconnect between his curated online persona and his real feelings of emptiness. | | Eloise āEllieā Duarte | Corporate Floor | A midālevel project manager on a mandatory āteamābuilding retreatā. | Finds herself questioning the corporate narrative of productivity versus genuine human connection. | | Simon Kline | Reception (the āControl Roomā) | The enigmatic āhostā who knows every guestās background. | Haunted by the ethics of manipulating strangers for art. | | Tara Barlow | Rooftop Garden (the āFree Zoneā) | An older woman who claims sheās ābeen here beforeā and refuses to leave. | Represents the longing for permanence in a world of constant flux. | hayli sanders fake hostel