Kodak Ultra F9 35mm Film Camera -

Load it with Kodak Ultramax 400 or Portra 800 . The extra speed helps the fixed shutter speed, and the grain structure looks beautiful through this soft lens. Turn the flash on every time you are inside, and keep it off outside.

I shot a friend’s birthday dinner. My digital photos were technically perfect—white balanced to death, sharp eyes, clean shadows. The Ultra F9 photos? They were blown out, grainy, and had lens flares cutting across faces. kodak ultra f9 35mm film camera

I spent two months shooting three rolls of Kodak Gold 200 and UltraMax 400 through the Ultra F9. Was it a nostalgic waste of money, or did it actually capture a feeling my Sony A7III couldn’t? Load it with Kodak Ultramax 400 or Portra 800

In an era where the latest iPhone boasts 48-megapixel sensors and computational photography that can literally light up a pitch-black room, why are thousands of people flocking to buy a piece of hollow, colorful plastic called the Kodak Ultra F9 ? I shot a friend’s birthday dinner

Here is my honest, unfiltered take. Let’s get the elephant out of the room immediately. The Kodak Ultra F9 is made of ABS plastic. It is light. It is hollow. When you shake it, it rattles. If you are used to the cold, dense weight of a vintage Canon AE-1 or a Nikon FM2, you will initially be offended.

The magic happens with the flash. In daylight, the F9 aperture works fine. You get decently sharp (for plastic) snapshots. But at night? And this is where the "Ultra F9 look" is born.

However, the moment you slide the little plastic switch to open the battery compartment (for the flash) and pop in two AA batteries, something changes. You realize the weight is a feature, not a bug.