Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.
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Chawngmawii simply took his old bow, a small bag of salt, and whispered a prayer to the Ramhuai — the spirit of the jungle. They set off before dawn. Lalthangvela ran deep into the western valley — a place elders had forbidden because a Khuavang (forest spirit) lived there. He ignored the warnings. “Spirits are for children’s stories,” he laughed.
The spear struck the mithun’s side — but instead of blood, flowers fell. The mithun transformed into a tall woman wrapped in vines and mist. Her voice was thunder and soft rain at once.
“No one conquers the forest,” he said. “We only borrow from it.”
She touched his forehead. Instantly, Lalthangvela’s legs became heavy as stone. He could not move. His tongue turned to bark. He stood rooted to the ground — not dead, but not alive — a human tree. Meanwhile, Chawngmawii killed a small boar. He divided the meat evenly with the village, keeping only the liver for his aging mother. That night, he dreamed of the white mithun. In the dream, the spirit said: “Your cousin is trapped in the forbidden valley. Come with salt, not a weapon.”
The Ramhuai appeared again. “Why do you come, hunter?”
The spirit smiled — the first time in a hundred years. “You offered without being asked. That is the old law. Take him.”
Composers are grouped in 6 pages: A-B;
C-F;
G-L;
M-O;
P-R; S-Z .
J.-S.
Bach , A.
Barrios Mangore , N. Coste
, M. Giuliani , F.
Sor and F.
Tarrega are on their own page
Click here
to listen to 20 great MIDI from the site
Composers in alphabetical order
Chawngmawii simply took his old bow, a small bag of salt, and whispered a prayer to the Ramhuai — the spirit of the jungle. They set off before dawn. Lalthangvela ran deep into the western valley — a place elders had forbidden because a Khuavang (forest spirit) lived there. He ignored the warnings. “Spirits are for children’s stories,” he laughed.
The spear struck the mithun’s side — but instead of blood, flowers fell. The mithun transformed into a tall woman wrapped in vines and mist. Her voice was thunder and soft rain at once. mizo story puitling thawnthu
“No one conquers the forest,” he said. “We only borrow from it.” Chawngmawii simply took his old bow, a small
She touched his forehead. Instantly, Lalthangvela’s legs became heavy as stone. He could not move. His tongue turned to bark. He stood rooted to the ground — not dead, but not alive — a human tree. Meanwhile, Chawngmawii killed a small boar. He divided the meat evenly with the village, keeping only the liver for his aging mother. That night, he dreamed of the white mithun. In the dream, the spirit said: “Your cousin is trapped in the forbidden valley. Come with salt, not a weapon.” He ignored the warnings
The Ramhuai appeared again. “Why do you come, hunter?”
The spirit smiled — the first time in a hundred years. “You offered without being asked. That is the old law. Take him.”
Note to MIDI sequence contributors
Your submissions are welcomed.
Please send them by e-mail (end of text). Pieces
should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne
Op.4 No.2.). The submissions
should bear information on the transcriber or arranger when available. The submitter's name
will appear beside the accepted submission.
This site exists primarily to showcase pieces written for the classical
guitar. Established and recognized transcriptions and arrangements (e.g.,
Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given
high priority.
New compositions for the classical guitar are also welcomed. New
compositions that meet quality guidelines will be added to the site. For
new contributors, it would be appreciated if you would also submit several
pieces by known composers in addition to your own compositions. This will
help to expand the repertoire of established works for the classical guitar in
addition to expanding the repertoire of new music.
Last update: March 8 2026
Copyright Franois Faucher 1998-2025