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mizo story puitling thawnthu

Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.

Version franaise  

mizo story puitling thawnthu

New Sequences by Franois Faucher

Now working on: G.F. Carulli's Gran Sonata Op.25


New.gif (284 octets) G.F.Handel's Sonata 2. Allegro 3.Adagio HWV368New.gif (284 octets)


New.gif (284 octets) .J.S. Bach's  Sonata largo BWV1079 New.gif (284 octets)

New.gif (284 octets) F. Carulli's Two Russian Airs with variations Op.110New.gif (284 octets)

New.gif (284 octets) .W.A.Mozart's Symphony No.41 (Jupiter) KWV551

.New.gif (284 octets) J.S. Bach's .Sonata 2. Fugue  BWV964 New.gif (284 octets)

.New.gif (284 octets) W.A. Mozart's Theme and variations on: "La belle Franoise" K353 New.gif (284 octets)

New.gif (284 octets) W.A. Mozart's .Rondo K.511 New.gif (284 octets)


Chawngmawii simply took his old bow, a small bag of salt, and whispered a prayer to the Ramhuai — the spirit of the jungle. They set off before dawn. Lalthangvela ran deep into the western valley — a place elders had forbidden because a Khuavang (forest spirit) lived there. He ignored the warnings. “Spirits are for children’s stories,” he laughed.

The spear struck the mithun’s side — but instead of blood, flowers fell. The mithun transformed into a tall woman wrapped in vines and mist. Her voice was thunder and soft rain at once.

“No one conquers the forest,” he said. “We only borrow from it.”

She touched his forehead. Instantly, Lalthangvela’s legs became heavy as stone. He could not move. His tongue turned to bark. He stood rooted to the ground — not dead, but not alive — a human tree. Meanwhile, Chawngmawii killed a small boar. He divided the meat evenly with the village, keeping only the liver for his aging mother. That night, he dreamed of the white mithun. In the dream, the spirit said: “Your cousin is trapped in the forbidden valley. Come with salt, not a weapon.”

The Ramhuai appeared again. “Why do you come, hunter?”

The spirit smiled — the first time in a hundred years. “You offered without being asked. That is the old law. Take him.”


Composers are grouped in 6 pages: A-B; C-F; G-L; M-O; P-R; S-Z . J.-S. Bach ,  A. Barrios Mangore , N. Coste , M. Giuliani , F. Sor and F. Tarrega are on their own page

Click here to listen to 20 great MIDI from the site


Composers in alphabetical order

Story Puitling Thawnthu //top\\ - Mizo

Chawngmawii simply took his old bow, a small bag of salt, and whispered a prayer to the Ramhuai — the spirit of the jungle. They set off before dawn. Lalthangvela ran deep into the western valley — a place elders had forbidden because a Khuavang (forest spirit) lived there. He ignored the warnings. “Spirits are for children’s stories,” he laughed.

The spear struck the mithun’s side — but instead of blood, flowers fell. The mithun transformed into a tall woman wrapped in vines and mist. Her voice was thunder and soft rain at once. mizo story puitling thawnthu

“No one conquers the forest,” he said. “We only borrow from it.” Chawngmawii simply took his old bow, a small

She touched his forehead. Instantly, Lalthangvela’s legs became heavy as stone. He could not move. His tongue turned to bark. He stood rooted to the ground — not dead, but not alive — a human tree. Meanwhile, Chawngmawii killed a small boar. He divided the meat evenly with the village, keeping only the liver for his aging mother. That night, he dreamed of the white mithun. In the dream, the spirit said: “Your cousin is trapped in the forbidden valley. Come with salt, not a weapon.” He ignored the warnings

The Ramhuai appeared again. “Why do you come, hunter?”

The spirit smiled — the first time in a hundred years. “You offered without being asked. That is the old law. Take him.”

 

 

FLAMENCO

Paco de Lucia  ; Sabicas 

 


Note to MIDI sequence contributors

Your submissions are welcomed.  Please send them by e-mail (end of text)Pieces should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne Op.4 No.2.). The submissions should bear information on the transcriber or arranger when available. The submitter's name will appear beside the accepted submission.   

This site exists primarily to showcase pieces written for the classical guitar. Established and recognized transcriptions and arrangements (e.g., Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given high priority.  

New compositions for the classical guitar are also welcomed.  New compositions that meet quality guidelines will be added to the site. For new contributors, it would be appreciated if you would also submit several pieces by known composers in addition to your own compositions.  This will help to expand the repertoire of established works for the classical guitar in addition to expanding the repertoire of new music. 

 

Last update: March 8 2026

Copyright Franois Faucher 1998-2025

INDEX OF COMPOSERS

COMPOSERS TIMELINE

VIDEOS

TABLATURE SYSTEM

TABLATURE SAMPLES

MIDI HISTORY

SUBMIT

LINKS

ANCIENT GUITARS