The festival committee met again that night. There were no charts, no graphs. The head priest spoke only three words: “Balarama. Always Balarama.”
He then looked at Suresh. There was no anger in his eyes. Only a deep, patient sorrow, as if to say, I told you so, but I forgive you.
And when the procession stopped for ten minutes at the village well, no one complained. The head priest himself brought a bucket of cool water, and as Balarama drank, the old elephant’s eye caught the priest’s. In that cloudy, ancient gaze, Suresh saw something he had never learned from his books: that the oldest paths are not the slowest; they are simply the ones that have learned to carry the weight of the world without breaking. old balarama
The younger elephants in the temple shed were restless, swaying, chafing at their shackles. But not Balarama. He stood like a living statue, his breath the only sign of life. Children who came to the temple were afraid of his size until he would gently lift his trunk and, with the delicacy of a surgeon, pluck a single jasmine flower from a girl’s hair, then offer it back, dripping with a moist, perfumed blessing.
The head priest fell to his knees. Not in prayer to the idol, but to the elephant. The festival committee met again that night
“He is too slow,” Suresh said, gesturing at Balarama as the elephant stood under a jackfruit tree. “Last year, during the procession, he stopped for ten minutes to drink water. He upsets the schedule. The new elephant, Gajendra, is young, fast, and tall.”
The temple committee debated for three nights. They made charts and graphs of speed and endurance. Balarama’s name was crossed out. The duty of carrying the sacred idol of Lord Shiva—a role Balarama had performed for forty-two years—was given to Gajendra. Always Balarama
The golden howdah tilted, priests scattered, and a wave of terrified chaos swept through the crowd. The idol of Shiva, wrapped in silk, slid to the edge. A child stood directly in the path of the panicked elephant’s retreat.