Murders In The Building Season 1 - Only

The pairing of Martin and Short is comedy legend, but the secret weapon is Selena Gomez. Her dry, deadpan delivery perfectly grounds the elder statesmen’s theatricality. She’s not just the "young one"; Mabel is the heart and the mystery. Together, they feel less like a gimmick and more like a found family you desperately want to see succeed.

All 10 episodes of Season 1 are streaming on Hulu (US) and Disney+/Star (International).

Here’s a write-up for Only Murders in the Building Season 1, suitable for a blog, newsletter, or review site. In a television landscape saturated with grim detective dramas and true-crime parodies, Hulu’s Only Murders in the Building arrived in August 2021 like a perfectly aged cocktail: witty, warm, and unexpectedly poignant. Created by Steve Martin and John Hoffman, Season 1 doesn’t just solve a murder; it deconstructs our obsession with solving them—while building one of the most charming odd-couple trios in recent memory. only murders in the building season 1

Season 1 of Only Murders in the Building is a near-flawless debut. It’s a show for anyone who has ever binged a true-crime podcast at 2 AM, wondered about the strangers living above them, or simply wanted a comedy that doesn’t sacrifice its brain for its heart.

The show is a love letter to New York architecture and interior design. But its most memorable trick is using the Arconia’s elevator and floorplans to track suspects. One episode in particular, “The Boy from 6B,” tells an entire story from a deaf character’s perspective—using near silence, subtitles, and vibration—resulting in one of the most inventive and moving episodes of television that year. The pairing of Martin and Short is comedy

Balancing murder with belly laughs is a tightrope walk. Season 1 does it with grace. It satirizes podcast culture (the obsessive fans, the merch, the cliffhangers) without ever mocking its audience. The mystery is genuinely compelling—layer upon layer of red herrings, secret lovers, and neighborhood grievances—but it’s the characters’ loneliness that lingers. The show argues that true crime isn’t just about the victim; it’s about the living using puzzles to distract from their own isolation.

Unlike many murder mysteries where the corpse is merely a plot device, Tim Kono becomes a real person through flashbacks and voicemails. You end up mourning him, not just investigating his death. That empathy elevates the show beyond simple whodunit fare. Together, they feel less like a gimmick and

A cozy, clever, and surprisingly emotional mystery. It’s not just about the murder—it’s about the building, and the broken people inside it, finally learning to knock on a neighbor’s door.