📦 Large files? Yes. 🎨 Professional quality? Absolutely.
Also — if you shoot on an iPhone or an external recorder, do you always capture in ProRes, or only for certain projects?
✅ A visually lossless, intra-frame codec. Unlike long-GOP codecs (like H.264), every frame in a ProRes file is encoded independently. This makes editing incredibly smooth, even with 4K or 8K footage.
From to 4444 (hello, alpha channels!), there’s a ProRes for every job.
📲 Fun fact: iPhone 15 Pro/16 Pro can shoot ProRes natively. Pocket cinema just got real.
👇 Do you prefer editing with ProRes or another codec? Let us know below.
I’ve been testing ProRes 422 vs. my usual compressed footage, and the timeline performance difference is night and day. Yes, the file sizes are huge, but no rendering, no lag, and smooth color grading almost makes it worth it.
Are you team or team H.264 for editing?
.prores Video [Certified 2025]
📦 Large files? Yes. 🎨 Professional quality? Absolutely.
Also — if you shoot on an iPhone or an external recorder, do you always capture in ProRes, or only for certain projects?
✅ A visually lossless, intra-frame codec. Unlike long-GOP codecs (like H.264), every frame in a ProRes file is encoded independently. This makes editing incredibly smooth, even with 4K or 8K footage. .prores video
From to 4444 (hello, alpha channels!), there’s a ProRes for every job.
📲 Fun fact: iPhone 15 Pro/16 Pro can shoot ProRes natively. Pocket cinema just got real. 📦 Large files
👇 Do you prefer editing with ProRes or another codec? Let us know below.
I’ve been testing ProRes 422 vs. my usual compressed footage, and the timeline performance difference is night and day. Yes, the file sizes are huge, but no rendering, no lag, and smooth color grading almost makes it worth it. Absolutely
Are you team or team H.264 for editing?