I built the environment in Unreal Engine 5, utilizing nDisplay. I visualised the camera tracking data live, rendering the background parallax that made the 10-foot deep stage look infinite. I created a "Director's View" dashboard that allowed the producer to see exactly what the render engine saw, 1:1.
Zero latency drift over a 4-hour broadcast. The online audience genuinely asked, "Where did they build that physical set?" Case Study C: The Festival Main Stage (EDM) Client: [Artist Name / Festival] Venue: [Main Stage Name] Role: Content Visualiser / Media Server Operator visualiser portfolio
I reject pre-rendered loops. I build in [Insert Software: e.g., Unreal Engine 5 / Notch / Resolume] . Why? Because live events breathe. If the DJ speeds up the BPM, my visuals must speed up. If the CEO pauses for applause, the ambient particle field must settle. III. Case Studies in Pixels Instead of simply listing thumbnails, here is a deep dive into three distinct realities I have helped construct. Case Study A: The Architectural Dome (Immersive Installation) Client: [Brand Name] Venue: [Name of Museum/Festival] Role: Lead Visualiser & System Designer I built the environment in Unreal Engine 5,